Movies Matter
  • Blog
  • John Bucher: Throwback Oscars
  • William Indick: Psychology for Screenwriters - 2nd Ed.
  • Streaming & In-Theater Reviews
  • Barry Eisler: Amok
  • Gael Chandler: Editing for Directors
  • Niceole Levy: The Writers' Room
  • Margaret Kerrison: Immersive Storytelling
  • Karla Fuller: Do The Right Thing
  • Review Archives
  • Victor Gischler: Conquistador
  • David Koepp: Aurora
  • George Pelecanos: Where He's At Now
  • Chris & Kathy Riley: The Defining Moment
  • Pete Chatmon: Transitions
  • Contact & join mailing list!
  • Dan Attias: Directing Great Televison
  • Jen Grisanti: The Wound That Drives Us
  • Scott Essman: The Total Filmmaker
  • Leonard Maltin: Star Struck
  • Christopher Riley: The Hollywood Standard
  • Books & Movies
  • Kelly Edwards: The Executive Chair
  • Diamond & Weissman: Family Man
  • Glenn Kenny: Made Men
  • Julie Salamon: The Devil's Candy Revisited
  • Judith Weston: The 25th Anniversary Edition
  • Carol Pearson: The Hero Within
  • Simon McCleave: The Snowdonia Killings
  • Glenn Frankel: Shooting Midnight Cowboy
  • Steve Kaplan: Comedy's Necessity
  • Claire Elizabeth Terry: Rocaberti Rockin'
  • Kathie Fong-Yoneda: Still rockin' with Rocaberti et al.
  • William Linn: Mythosophia
  • Chris Vogler: 25th Anniversary Edition
  • John Badham: On Directing, 2nd Edition
  • Ken Lee: Singin' with Musicals
  • Danette Wolpert: Illuminate
  • Elaine Shannon: Hunting LeRoux
  • Ben Fritz: The Big Picture
  • Ken Miyamoto: Writing the ScreenCraft
  • Charles Ardai: Are Snakes Necessary?
  • Barry Eisler: All The Devils
  • Dave Watson: Walkabout Undone
  • Seger & Rainey: Great Dialogue
  • Pilar Alessandra: The Coffee Break Screenwriter
  • Greg Loftin: Writing for the Cut
  • Debra Eckerling: Your Goal Guide
  • Marilyn Atlas: Dating Your Character
  • Heather Hale: Story$selling
  • Matthew Kalil: The Three Wells
  • Weiko Lin: Crazy Screenwriting Secrets
  • Jason Starr: Fugitive Red
  • Duane Swierczynski
  • Victor Gischler: No Good Deed
  • Diane Bell: Shoot From The Heart
  • Kathie Fong Yoneda: The Future of Story
  • Deborah Patz: Write! Shoot! Edit!
  • Edwards & Skerbelis: Film Festivals
  • Ken Lee, UFVA
  • Geoff Carter: The P.S. Wars
  • Michael Lucker: Action films
  • Dr. Linda Seger: Script to Screen
  • Diamond & Weissman: Bulletproof Scripts
  • Glenn Frankel: High Noon
  • R.R. Campbell: Imminent Dawn
  • Kristin Oakley: Carpe Diem
  • Rex Owens: Murphy's Troubles
  • Margaret Goss: The Uncommitted
  • John Bucher: The Oscars
  • Pamela Douglas: Writing TV Drama
  • Scott Von Doviak: Charlesgate Confidential
  • David Sonnenschein: Sound Design
  • Interview: Josh Friedman
  • Interview: Mike Olah
  • Interview: Stan Williams
  • Interview: Stephen Galloway
  • Interview: Maureen Ryan
  • Jon Fitzgerald: Filmmaking for Change
  • Interview: Ken Lee
  • The Oscars: Pamela Jaye Smith
  • Interview: Kim Adelman
  • Interview: Jeffrey Michael Bays
  • Pamela Jaye Smith: Romantic Movies
  • Interview: Jennifer Van Sijll
  • Interview: Adam Coplan
  • Interview: Shane Kuhn
  • Interview: Bucher and Casper
  • Interview: Troy Devolld
  • Interview: Simone Bartesaghi
  • Interview: The Shoot Like Series
  • Interview: Judith Weston
  • Interview: Pamela Douglas
  • Interview: Jennifer Dornbush
  • Interview: Peterson & Nicolosi
  • Interview: Sarah Beach
  • Interview: Jen Grisanti
  • Interview: Jacqueline Frost
  • Interview: Christopher Kenworthy
  • Interview: Joe Gilford
  • Interview: Richard Pepperman
  • Interview: Deborah Patz
  • Interview: Sam & Gifford Keen
  • Interview: Paul Chitlik
  • Interview: Christopher Vogler
  • Interview: Marx Pyle
  • Interview: Laurie Scheer
  • Interview: Todd Drezner
  • Interview: Tom Malloy
  • Interview: Brad Schreiber
  • Interview: Marilyn Atlas
  • Interview: Ken Miyamoto
  • Interview: Carole Kirschner
  • Interview: Lee Jessup
  • Interview: Jeffrey Michael Bays
  • Interview: Pamela Jaye Smith
  • Interview: John Schimmel
  • Interview: Christopher Riley
  • Interview: John Badham
  • Interview: Dr. Linda Seger
  • Interview: Pilar Alessandra
  • Interview: Steve Kaplan
  • Barry Eisler: the Killer Collective
  • Interview: Gil Bettman
  • Interview: Richard Dunn
  • Interview: Paul Dudbridge
  • New Page

Subscribe!

3/2/15

3/2/2015

1 Comment

 
The box office: what's there and what's already fallen off astounds me. Still Alice, boasting an Oscar winner, creeps past the $11 million mark, and apparently Julianne Moore deserves the statuette, though almost nobody has told me it's a must-see. Fifty Shades of Grey creeps toward the $150 million despite a steep dropoff in sales, showing what a weak story does on a not-often-used-but-reliable formula. Then there's...Jupiter Ascending? Already out of the top ten and below Hot Tub Time Machine 2, which fell from the number two spot to ten without John Cusack? One would expect a few more people to see the latest Wachowski sibling outing, but this is ridiculous. The new Will Smith/Margot Robbie thriller Focus debuted fine at almost 19 million, but watch: it'll drop off to net around forty million eventually. This might all be because just now Netflix announced even more A-list talent set for this summer, which could be the summer of streaming and not multiplexes.

We need wit. Boldness. Sincerity, not surface banter. Or real cinema, such as Birdman and Boyhood that take stories in new directions, and unique ones. It may be a while, but there always seem to be surprises in spring.
1 Comment
Jacob Compton link
7/4/2022 04:08:14 pm

Great post thanks for sharing it.

Reply



Leave a Reply.

Powered by Create your own unique website with customizable templates.