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Increasingly irrelevant, for some if not many

2/19/2017

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When it comes to awards season, the coveted Oscars just around the corner, many outside the industry seem not sure how much weight to give the ceremony. In the words of one friend, millionaires give awards to millionaires, salaries go up, campaigns have been waged, and...this year actually, where La La Land remains the favorite to win, might lose because of a pattern. You know what that is: Hilary was predicted the presidential election by everyone, including the dependable Nate Silver. The Atlanta Falcons were up 28-3 in the third quarter of the Super Bowl and managed to lose. If Moonlight wins, it would fit. It's also the movie that pertains to a specific American experience, and that of an individual surrounded by real characters, who embody real people.

That said, the top movies that mattered the most in 2016 were:

1. A Man Called Ove. Rarely have I seen a film pull emotions in so many ways, describe and show humanity and community and daily life on so many levels and employing all the cinematic techniques.
2. Moonlight. This movie took an often-shown place and characters and made them completely original, and the story memorable. The movie never stepped wrong, didn't overstay its welcome, and left so much up for interpretation from such a straight-forward story. The performances, the emotions they displayed and evoked, live on long past you experienced them.
3. Sing. The best animated film of the year was on a high-wire and never looked down, or around. It combined everything, and mostly it conveyed a message in a special way. Art has to continue despite everything, and will. 
4. Hidden Figures. Sometimes you think it takes a particular leader, or president, to set things in motion. I'd sure like to think that this long-ignored story, released in 2016, will inspire many. It works on so many levels, with just-right performances, writing, acting, and directing, that it will stand the test of time. It already has.
5. Cafe Society. The year's best comedy showed that after eighty, Woody Allen is still rummaging around in the trunk of romance, pulling out threads that all people feel. He chose a particular time and place for his style, and never fails to make these particular characters human. The man still knows what makes us tick.
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