Movies Matter
  • Blog
  • John Bucher: Throwback Oscars
  • William Indick: Psychology for Screenwriters - 2nd Ed.
  • Streaming & In-Theater Reviews
  • Barry Eisler: Amok
  • Gael Chandler: Editing for Directors
  • Niceole Levy: The Writers' Room
  • Margaret Kerrison: Immersive Storytelling
  • Karla Fuller: Do The Right Thing
  • Review Archives
  • Victor Gischler: Conquistador
  • David Koepp: Aurora
  • George Pelecanos: Where He's At Now
  • Chris & Kathy Riley: The Defining Moment
  • Pete Chatmon: Transitions
  • Contact & join mailing list!
  • Dan Attias: Directing Great Televison
  • Jen Grisanti: The Wound That Drives Us
  • Scott Essman: The Total Filmmaker
  • Leonard Maltin: Star Struck
  • Christopher Riley: The Hollywood Standard
  • Books & Movies
  • Kelly Edwards: The Executive Chair
  • Diamond & Weissman: Family Man
  • Glenn Kenny: Made Men
  • Julie Salamon: The Devil's Candy Revisited
  • Judith Weston: The 25th Anniversary Edition
  • Carol Pearson: The Hero Within
  • Simon McCleave: The Snowdonia Killings
  • Glenn Frankel: Shooting Midnight Cowboy
  • Steve Kaplan: Comedy's Necessity
  • Claire Elizabeth Terry: Rocaberti Rockin'
  • Kathie Fong-Yoneda: Still rockin' with Rocaberti et al.
  • William Linn: Mythosophia
  • Chris Vogler: 25th Anniversary Edition
  • John Badham: On Directing, 2nd Edition
  • Ken Lee: Singin' with Musicals
  • Danette Wolpert: Illuminate
  • Elaine Shannon: Hunting LeRoux
  • Ben Fritz: The Big Picture
  • Ken Miyamoto: Writing the ScreenCraft
  • Charles Ardai: Are Snakes Necessary?
  • Barry Eisler: All The Devils
  • Dave Watson: Walkabout Undone
  • Seger & Rainey: Great Dialogue
  • Pilar Alessandra: The Coffee Break Screenwriter
  • Greg Loftin: Writing for the Cut
  • Debra Eckerling: Your Goal Guide
  • Marilyn Atlas: Dating Your Character
  • Heather Hale: Story$selling
  • Matthew Kalil: The Three Wells
  • Weiko Lin: Crazy Screenwriting Secrets
  • Jason Starr: Fugitive Red
  • Duane Swierczynski
  • Victor Gischler: No Good Deed
  • Diane Bell: Shoot From The Heart
  • Kathie Fong Yoneda: The Future of Story
  • Deborah Patz: Write! Shoot! Edit!
  • Edwards & Skerbelis: Film Festivals
  • Ken Lee, UFVA
  • Geoff Carter: The P.S. Wars
  • Michael Lucker: Action films
  • Dr. Linda Seger: Script to Screen
  • Diamond & Weissman: Bulletproof Scripts
  • Glenn Frankel: High Noon
  • R.R. Campbell: Imminent Dawn
  • Kristin Oakley: Carpe Diem
  • Rex Owens: Murphy's Troubles
  • Margaret Goss: The Uncommitted
  • John Bucher: The Oscars
  • Pamela Douglas: Writing TV Drama
  • Scott Von Doviak: Charlesgate Confidential
  • David Sonnenschein: Sound Design
  • Interview: Josh Friedman
  • Interview: Mike Olah
  • Interview: Stan Williams
  • Interview: Stephen Galloway
  • Interview: Maureen Ryan
  • Jon Fitzgerald: Filmmaking for Change
  • Interview: Ken Lee
  • The Oscars: Pamela Jaye Smith
  • Interview: Kim Adelman
  • Interview: Jeffrey Michael Bays
  • Pamela Jaye Smith: Romantic Movies
  • Interview: Jennifer Van Sijll
  • Interview: Adam Coplan
  • Interview: Shane Kuhn
  • Interview: Bucher and Casper
  • Interview: Troy Devolld
  • Interview: Simone Bartesaghi
  • Interview: The Shoot Like Series
  • Interview: Judith Weston
  • Interview: Pamela Douglas
  • Interview: Jennifer Dornbush
  • Interview: Peterson & Nicolosi
  • Interview: Sarah Beach
  • Interview: Jen Grisanti
  • Interview: Jacqueline Frost
  • Interview: Christopher Kenworthy
  • Interview: Joe Gilford
  • Interview: Richard Pepperman
  • Interview: Deborah Patz
  • Interview: Sam & Gifford Keen
  • Interview: Paul Chitlik
  • Interview: Christopher Vogler
  • Interview: Marx Pyle
  • Interview: Laurie Scheer
  • Interview: Todd Drezner
  • Interview: Tom Malloy
  • Interview: Brad Schreiber
  • Interview: Marilyn Atlas
  • Interview: Ken Miyamoto
  • Interview: Carole Kirschner
  • Interview: Lee Jessup
  • Interview: Jeffrey Michael Bays
  • Interview: Pamela Jaye Smith
  • Interview: John Schimmel
  • Interview: Christopher Riley
  • Interview: John Badham
  • Interview: Dr. Linda Seger
  • Interview: Pilar Alessandra
  • Interview: Steve Kaplan
  • Barry Eisler: the Killer Collective
  • Interview: Gil Bettman
  • Interview: Richard Dunn
  • Interview: Paul Dudbridge
  • New Page

Subscribe!

Many are waiting...

7/9/2016

0 Comments

 
The players we know, for the most part, and all we need now is the script and the key co-principal. Next week is the Republican National Convention and we have our star, Donald Trump, though he is probably the most polarizing leading man a storyteller could think of. Who he picks as his running mate is up in the air and certainly under vast secrecy until The Big Reveal comes some time over the next six days. 

Also at the end of the day, I think many are curious just to see how this thing goes over in Cleveland, an economically repressed city whose downtown with its old buildings and central square are a great stage for a huge event. How many protesters will there indeed be? What will Trump say in his speech? What will pundits think and say who attend? What will they say later in a few books waiting to be written, or are being written now?

We're entering Act Three of this presidential race and we're braced for the rabbit to be pulled out of the hat. The running mate has to be someone well known, can garner the votes Donald can't, and probably most importantly, share the spotlight with Donald momentarily before giving way. This is the stuff mysteries are made of, or classics, or both.
0 Comments



Leave a Reply.

Powered by Create your own unique website with customizable templates.